A passion to strive towards excellence has made Dr. Lupoli
a long-standing favorite among many brilliant teachers
at The Cardinals High School in La Jolla, California.
For 34 years, Otto has taught Art History as well as courses
in Medieval and European History, Ancient Languages and
the History of Religions. His wealth of knowledge was
cultivated in him as a child when a family friend, Countess
Camilla Propio dé Rossi, said to his mother, "Josephine,
why don't we send Otto to a good school–to a Jesuit
boarding school."
Such began Otto's rigorous education. He spent the next
8 years attending primary school in his hometown of Saluzzo,
an ancient city tucked in the northwestern Alpine section
of Italy founded long before the time of Christ. The school
was located in a former castle, which had no hot water
but had been mentioned by Ptolemy, Dante, Boccaccio and
even Leonardo da Vinci. Their curriculum was demanding
and, each morning, after reciting a page-long poem, the
students were expected to jump into the river before receiving,
"a nice piece of bread and a big piece of chocolate."
Otto aspired to become a great scholar and once the dust
had settled, his formal education included a Letterarium
Doctor degree in Art History from the University of Milan
and a PhD in Classical Languages and Literatures from
King's College, University of London. He studied philosophy
under Pierre Teilhard de Chardin and took classes from
Professor Mario Untersteiner who, Otto remembers, opened
his eyes to the beauty of the Greek tragedy. At the time
Untersteiner was conducting groundbreaking work on the
ancient Akkadian language and invited Otto to focus his
dissertation on Babylonian thought.
With his formal education complete, Otto became a priest.
He was first assigned to assist the Patriarch of Jerusalem.
At another time he accompanied, as a translator and confidante,
an American Archbishop to an audience with Pope John XXIII.
A few days later, Otto was invited to work directly for
the Pontiff. "Nothing too stately, I was just one of many
advisors," says Otto.
His scholarly dreams were interrupted when he was sent
to Los Angeles. "There was a dispute among the Dioceses
of Orange County, Irvine and Huntington Beach," Otto explains.
"I was sent to help solve the problem." At the end of
the assignment, he decided not to return to Europe.
"During my absence I had missed new works, new theories,
new excavations," says Otto. "I felt I had become a second
class scholar. Didn't Julius Caesar say that he preferred
to be the first in a village than the second in Rome?"
Otto's sizable savings soon dissipated. Subsequently, he
made himself available as a professor for top tier and
classically minded private high schools in Southern California.
Apparently, the blue Pacific waters and citrus trees called
to Otto in the same fashion as the Mediterranean. Thus
began Otto's 34-year tenure at The Cardinals High School.
Last semester, at the tail end of my high school career,
I was fortunate enough to take Art History from Dr. Lupoli.
Otto effortlessly taught me to differentiate between Manet
and Monet, between a Rousseau and a Renoir. During lunchtime,
I never hesitated to sacrifice my usual game of lacrosse
in exchange for a private conversation with Otto in his
corner office. He'd run his small, polished hands over
parchment maps, names and dates falling from his lips
as if he'd lived each event personally while I sat speechless,
scribbling down a deluge of notes. The man, though diminutive
in stature and eighty-nine years old, forged a dynamic
and giant impression in my mind.
At the end of each academic year, Dr. Lupoli leads a dozen
juniors and seniors through the cultural landmarks of
Europe. After speaking with Cardinal's alumni, I've gathered
that this international trip is not to be missed. Since
this year was my graduating year, I couldn't afford to
miss my chance to weave through Athenian columns, Austrian
fortresses and Spanish citadels with a genuine scholar
from the Vatican. I petitioned my parents nightly, reasoning
for their financial support. I vowed to put in extra hours
at the tennis shop in August to help pay expenses. Well–it
appears my efforts paid off, as I've just spent the better
part of June exploring the ruins of Brittany and the spires
of the Ottoman Empire.
Last week, on the final evening of our tour, Otto had the
foresight to reserve tickets at the Shakespeare Globe
Theatre. Our itinerary had us flying, the following morning,
from Heathrow to JFK but our learned sage insisted we
experience the Bard on his native stage, in Stratford-upon-Avon.
I couldn't have been more appreciative.
By 8 p.m. we'd cleaned up and found our seats–just
left of center but close enough to see the whites in Friar
Lawrence's eyes. Dr. Lupoli had worked his magic again.
Apparently, Otto had provided pro bono Latin
tutoring to the current director of the Globe Theatre
in 1967. So, to our good fortune, the director returned
the favor by rewarding our entire group with first class
seats.
The show was a success, each scene unfolded impeccably
and I even watched a tear well up in Otto's eye as Juliet
fell upon her 'rapier's point.' I was also swept up in
the tragedy and counted myself doubly blessed because
I knew Otto would debrief the class on the subtle complexities
of rhyme and meter while we drove back to our hotel.
Montague wrapped things up wonderfully and velvet curtains
draped past the players on stage. Harps and viola filled
the ornate ceiling space. My peers and I clapped as enthusiastically
as we thought appropriate. We beamed satisfaction and
neatly sidestepped out of our row. Dr. Lupoli nodded and
flashed an erudite smile my direction, which meant he
was well aware that we'd all just witnessed exemplary
theatre.
The show was sold-out so our class had to wait for a few
minutes while the row filtered out. As I looked around
the audience I was surprised to see that Jenna Bush, our
current president's daughter, was also in attendance that
evening. As I later learned, she had recently finished
a Christian pilgrimage through the Spanish countryside
and stopped in London for the weekend before returning
to Texas. Jenna looked cherubic and quite attractive in
a green cotton dress with a white hip sash. She fidgeted
impatiently with friends in the row directly behind us
and was flanked by two heavy-set bodyguards.
To pass time while the row cleared, Dr. Lupoli and I chatted
about the details of the set design–the lush orchards,
the vibrant streets scenes of Verona. We were both satisfied
and relaxed but nonetheless anxious to get outside and
take in the damp evening air. From the corner of my eye
I couldn't help but notice that the bigger of the two
bodyguards seemed to be growing more irritated and edgy
by the minute. I overheard him complaining to his partner
about the excessive length of the performance and, "why
the fuck couldn't she figure out if Romeo was actually
dead before she knifed herself."
I preoccupied Otto with more small talk so that his focus
wouldn't shift towards the vulgarities spewing out of
the bodyguard's mouth. The brutish escort sort of looked
like a stunt double for Troy Aikman. He began muttering
under his breath and making these short, ugly karate chops
at the floor. The other bodyguard seemed to be distancing
himself from Troy but also trying to console him, "easy
buddy...we'll be out of here in no time...keep it together."
Jenna and her friends were giggling and oblivious to the
irreverence of her escort. Troy stretched out his neck
and violently leaned backwards and sideways, popping his
vertebrae and airing out his chest. I felt really uncomfortable
in his presence–but in the moment, I didn't think
anything would come of it.
Now, here comes the troubling and awkward section of my
otherwise fond recollection of Otto and our European vacation.
The Bush entourage had matched our slow progress exiting
the row and, therefore, after idling for a few minutes,
our two separate groups entered the left aisle simultaneously.
Now, what happened next is sort of a terrible blur in
my mind. I do, however, remember that it was entirely
devoid of context and occurred with only the slightest
provocation. It was as if the entire incident happened
in a vacuum, unconnected with the fabric of the evening.
In an attempt to point out the Parian marble balustrades,
Dr. Lupoli excitedly stepped in front of the Bush entourage
and rushed towards the railings along the staircase. Otto
turned to face his class, "Boys and girls, this is a wonderful
specimen of the same raw element used in the Classical
Age of Greece," Otto's eighty-nine year old face was gushing
with scholarly memories. "Perhaps you will remember the
afternoon we spent with a certain statue, the Venus
de Milo, on our visit to the Louvre? Well, that too
was a splendid example of Parian marble."
As my peers crowded in towards the marble balustrade and
Dr. Lupoli expanded with his impromptu lesson, the bodyguards
became boxed into their row. This didn't sit well with
Troy. I could hear his molars grinding, I looked down
and saw his fists clench and whiten with aggravation.
Otto continued gesticulating at the staircase, his small
arms waving above his head, "See, the entire history of
Greece was once recorded in the Parian chronicles, each
stone meticulously hand carved, of course!"
And that was it–the brute snapped. Troy lunged at
my Art History professor and wrapped his mongoloid hands
around Dr. Lupoli's delicate, wrinkled neck. Otto squealed
like a piglet as his leather shoes lifted off the floor
and swung like a pendulum. The tip of Otto's tongue became
trapped in his clamped teeth and it flapped limply against
his bottom lip. Bubbles of spittle popped from the corner
of Otto's mouth then slid down his reddened jowls. Our
class froze; Jenna froze. Our esteemed professor dangled
like a rag doll.
Troy, seemingly pleased, smiled demonically as he hoisted
Otto until the two men were eye to eye. The brute's manic
fingers pushed the loose skin from Otto's neck up along
his jawbone. I am ashamed to admit that I didn't react,
I never rose to defend my teacher–the spectacle
was too surreal, too shocking to digest. In hindsight,
I wished I had kicked at Troy's shins or something, anything... but
as it was, I just stood with my mouth open and observed.
Dr. Lupoli's Scottish tweed suit bunched awkwardly around
his ears; his voice box became jammed, muting any audible
cry for help. Troy stared vacantly at Otto's bulging eyes
and purpling skin. He tightened his quarterback hands
for a few more wretched moments. I actually don't remember
any noise accompanying the entire incident. It truly felt
like a singular, isolated moment–separate and untethered
from the rest of humanity...
Hours passed, minutes passed–I'm not sure–I
presume only seconds passed but finally Troy became bored
or satisfied or else his partner intervened. Either way,
Otto was dropped to the floor and I rushed over to help
straighten out his collar and slacks.
And that was it–the atrocity passed as quickly as
it approached. I ran to fetch Dr. Lupoli a glass of water
but once I returned, the crowds had dissipated, the Bush
entourage had sped off in a hired car service and our
student group was loading into the rental van. Otto waited
solemnly behind the wheel. Our evening was finished, as
was an otherwise perfect European tour. Otto never pressed
charges and nobody mentioned a word of it again.
Kevin Patrick Curran